Review: The Book of Mormon (musical) – from a Christian perspective

Image

I’ve just got back from going to see the new London production of The Book of Mormon. It’s a musical by the creators of South Park.

You may be wondering why a Christian would go to see such a thing, but yeeees (changing the subject in the same manner as a Mormon asked why Joseph Smith wouldn’t let anyone else see the original golden plates on which the Book of Mormon was allegedly written) we’ll move on and I’ll tell you all about it, so you don’t have to see it! What a good service I’m providing.

*Spoiler alert*

So, the story is of two budding young Mormon missionaries, sent from their comfortable Utah lives to a country selected by their church leaders for two years of mission work. The pair include the tall, good-looking star student who is rather arrogant and hoping to make a name for himself by making lots of converts (and hopes to be sent to Orlando), and the other is the short, dweeby, innocent one who is delighted to have a new best friend who (due to the missionary pairing rules) isn’t allowed to leave him like others do. These two young men seemingly draw the short straw and get sent to Uganda. The tall one is disappointed to be sent to such a low-profile place, but the short one is delighted (after it is explained to him that Uganda is in Africa) and expects it to be like the Lion King. There’s a very funny moment when you think they have arrived in Africa and are greeted by a stereotypical African tribal woman in full costume who sings a song to welcome them, but then it turns out that they haven’t actually left yet and it was just an American woman who had never been to Africa but dressed up like that to give them a good send-off!

When they arrive in Uganda, the short one is disappointed to find out that it’s very much not like the Lion King. They arrive in a world of famine, AIDS, rape, female castration and a gun-toting general who shoots one of the villagers in the face. The budding missionaries try out their planned conversations learnt in comfortable America and quickly find that these are completely ineffective to the needs of the suffering villagers. The villagers are angry at God for allowing them to suffer like this, and sing (in an ironic parody of “Hakuna Matata” from the Lion King) a song that expresses their anger at God in an overtly blasphemous way which doesn’t need to be repeated here (nor would I wish to type it). An irony with this is that in the real world there are many people in Africa who live in very difficult conditions but who praise the name of God despite the suffering they go through, but anyway…

Throughout the plot there are various times when the story of Mormonism’s history is told, with particular emphasis on the more ridiculous aspects of it, for comedic effect. In the theatre, the audience clearly enjoyed laughing at these views, which really are rather odd. A few years ago, South Park (made by the same people) did an episode about Mormonism in which they mercilessly ridiculed it for most of the episode but then amazingly turned it around at the end and left the viewer feeling humbled and guilty for laughing at people with genuine beliefs who are doing their best and trying to be good people. Sadly, this aspect didn’t appear in the musical version, and the ending and overall moral of the story was a lot less satisfactory (I didn’t have particularly high expectations for this – I wasn’t expecting a grace-centred gospel presentation at the end or anything, but still…). More on that later.

Another common theme in the plot is the Mormons living a very law-based life. Doing good is very important to them and their desire to do good is based on the fear of going to hell if they don’t (as well as the attractive prospect of getting their own planet each in the latter days if they do good). They are trained to just “switch it off” if they ever get a desire to do something bad or if they get angry, which results in them having a veneer of extreme niceness, which covers over some repressed issues underneath. They strictly follow the rules and know the rule numbers by heart. These were the parts where I was hoping for grace to get a mention or an allusion, but sadly (though not surprisingly) it was nowhere to be seen.

Back to the story. The tall guy gets frustrated and leaves the village but the short guy finds himself surprisingly invited by the villagers to tell them the story of Mormonism. He has some trouble with this as he’s never actually read the Book of Mormon, as he found it too boring to read! He reads some bits out to the people but they find it boring and irrelevant to their needs. The people start to walk off but then the short guy tells a lie about Joseph Smith to make him more relevant, and the people start to listen. He gets carried away with this and ends up telling a whole different story using his imagination, which is even crazier (and quite a lot ruder) than the original Mormon story. The people profess belief and they all get baptised!

The missionaries are very pleased with their new converts and get a little carried away with themselves, singing the hilariously arrogant song, “We are Africa”, which is a real sight to see as it’s sung by ten white American men wearing all white and trying to do African dance moves, while the real Africans stand at the side. This was one of many really funny moments in the musical.

Trouble comes when the Mormon leaders come to see the new converts for themselves. Once the leaders find out what the villagers have been taught, the leaders give the young missionaries a serious telling-off for teaching the villagers a load of nonsense (with fairly obvious irony). As the dejected missionaries pack their bags and set off to leave the villagers reveal that they never really believed the silly stories anyway, but they took them as a metaphor for something bigger. The musical ends with a rendition of “Tomorrow is a Latter Day”, which is again very funny, but the general message presented is that it doesn’t really matter what you believe, and it’s not worth thinking as far ahead as the afterlife, as it may not even exist anyway. Instead we should all just think about tomorrow and making that as good as possible.

I found this ending quite unsatisfactory! Normally the makers of South Park are good at making a serious point amidst all the bad language and rudeness (they are, I would say, the masters of satire of this generation), but this one went a bit flat in my view. They’re also good at making fun of all sides, rather than pushing one sort of agenda (they even once made a South Park episode about how stupid atheism is), so this outcome wasn’t guaranteed.

So, should you go and see it? Well, there is some quite severe blasphemy and bad language, so I’m not sure I’ll be recommending it to too many people. If you can cope with that then there are some very funny parts, and witnessing the audience reactions helps to show that it is a common view in society that not just Mormonism but Christianity and other beliefs as well are generally considered to be ridiculous and scoffing at them is the norm. For some living in a Christian bubble this may come as a shock, but on the other hand people in such a bubble will find the ruder aspects of the musical very shocking so you might be better off taking my word for it!

If you’ve seen it, please leave a comment and let me know what you thought!

Advertisements

Les Gracerables

Just got back from seeing Les Miserables at the cinema. Despite my love of musicals I had actually never seen or read it before in any of its forms. The thing I was most struck by, apart from someone dying every ten minutes, was the examples of grace given throughout the story.

At first, we have a slave who finishes his prison sentence (under a strict law) and is then allowed to return to the free world, but has no money or possessions. He is offered shelter by a priest and is fed and allowed to stay the night. Such is the man’s desperation regarding his situation that he wakes up early and leaves the church with a bag full of its silverware. The police catch him and bring him back to the priest to return the stolen goods, telling the priest that the thief told them he had been allowed by the priest to take the silverware. Much to the thief’s surprise, the priest goes along with this and actually gives the man more silverware to add to his bag. After the police have gone, the priest then tells the man to use the silverware to make an honest man of himself. We then see this throughout the film, as the man sacrifices and gives to others, often at great risk to himself.

This reminded me (as I suspect the author intended) of the grace that Jesus gives. None of us deserved it but were just like the thief. We (i.e. those who accept him) are given the gift of the forgiveness of our sins and eternal life in the new creation despite not deserving this in any way. We are then told to live good lives, but it is important to remember that the gift comes first and living a good life is a response to that, not a way in which we earn our reward. All we have to do is accept this offer and the gift is ours.

Later in the story, the baddie of the film is shown the same grace by the former thief, who spares the baddie’s life even after the baddie was trying to kill him. However, the baddie reacts very differently and cannot bear to be living due to the mercy of the man he hated. He ends up choosing his own destruction by committing suicide.

In a way this is what people do who reject Jesus’ offer of forgiveness. They cannot bear to be living due to someone else’s mercy rather than their own strength, so they choose instead to go their own way, which sets them on the road to their destruction. The baddie had the chance to accept the grace given to him before it was too late, but he chose not to. I pray that others in this situation in the real world would reconsider the grace offered by Jesus and accept the free gift before it is too late for them.